A
Editorial Authority
Both offers, one site
The headline is not sitting on a photo. Type carries the hero; photography is small, sharp and captioned like a magazine. Numbered sections, hairline rules, asymmetric label/content columns. Contact fields are underlines, not boxes.
- Fraunces + Inter
- Warm off-white #FAF8F5
- Clay accent #A6432B
The most expensive-looking of the three. Best fit if corporate speaking is the priority and the show is a sideline.
B
Stage Dark
Both offers, one site
Tour-poster energy applied to the corporate side too. Anton display caps at 108–116px, full-bleed photo bands under heavy black grades, coloured spotlight gradients, marquee ticker strips.
- Anton + Barlow
- Near-black #0A0A0C
- Amber #F0A830 / cyan #6EC1E4
One system, two moods — amber leads on Speaking, cyan on the show, each page borrowing the other’s colour for its cross-link. Worth weighing: this is loud. It sells the show brilliantly; whether a corporate L&D buyer reads it as credible is the open question.
C
Split Personality
Two sites, one domain
Two separate sites that only link to each other, with a chooser at the root. Identical skeleton — same 1120px grid, same type ramp, same spacing, same component anatomy. Compare the two site pages section by section and every band lines up.
- Manrope throughout
- /speaking/ — white · navy · steel
- /hypnosis/ — black · magenta
Only the palette block at the top of each file differs. Each header carries a URL chip and a pill in the other site’s colours; the full-width band above each footer is the crossover. Builds as two folders sharing one stylesheet with two palette overrides.